夜訪吸血鬼
又名吸血迷情。
記得多年前,我在台灣的拍賣網站拍下一整系列的台譯中文版,當年運費也不少,所以記憶很深。這些年在台灣或其它國家旅遊時,我每次到書店的指定動作都是看有沒有Anne Rice的小說。
今日,在書店閒逛時突然驚見這本書,原來是中文版重新出版。而在網絡得知消息,暫時只譯了一本,可能是先試市場反應。然而沒有出版電子書,感覺有點失望,不過看來最終我仍是會入手的。
又名吸血迷情。
記得多年前,我在台灣的拍賣網站拍下一整系列的台譯中文版,當年運費也不少,所以記憶很深。這些年在台灣或其它國家旅遊時,我每次到書店的指定動作都是看有沒有Anne Rice的小說。
今日,在書店閒逛時突然驚見這本書,原來是中文版重新出版。而在網絡得知消息,暫時只譯了一本,可能是先試市場反應。然而沒有出版電子書,感覺有點失望,不過看來最終我仍是會入手的。
在Amazon訂了這本書,在序言看到這句,很有感受:
一直都很喜歡她所寫的Vampire Chronicles,多年前知道她寫完Blood Canicles後不再寫吸血鬼系列時,頓感失落。看著剩餘兩本還沒看的同系列小說,一直都不想看,就是不想有完結的一天。
在今年三月的某一天,在臉書上突然看到作者Anne Rice的訊息,新書Prince Lestat將於同年十月出版。看到這消息,心裡很興奮!
今天,從書架上取下這本書,滿心期待!
經過三個週末,已讀完這本小說,以我的速度來說,算是很快了。
我一直對這本小說沒太大期望,一來主角不是這個系列曾出現過的人物,而且和他們全沒有關係,是另一個獨立人物來;二來作者安萊斯小說的節奏向來也較慢,我大多時都是看得虎頭蛇尾﹝只有Queen of The Damned及Tale of The Body Thief看得較快﹞;第三就是之前讀過這系列的副線小說,趣味性多是比主線稍低一點,我讀後的印象都不是太深刻,例子就是Pandora ─ New Tale of The Vampire,昨天從舊小說找資料的時候,完全對關於她的某些情節忘記了。
不過,這本小說令我有喜出望外的感覺,因為小說情節節奏明快,故事內容也有點緊張刺激,令我時常也有看下去的衝動。
所以,我也頗喜歡主角Vittorio,他愛惡分明,做事明快,勇敢堅強。當然和Louis及Lestat相比,喜歡的程度,還是差很遠了。
下一本將會看的小說是Blood and Gold,這本小說很厚,是講述Marius的故事,又是時候準備努力了,希望好看吧!
今日終於看完這本書。
想起當初我是滿懷希望去看這本書,因為聽聞這次有較大篇幅提及Louis的故事,但最後我卻覺得有點失望。
原來書中有很大篇幅講述David及Merrick的經歷,不過我覺得還可以,因為這本書的主角真的是Merrick,只是我一廂情願想看多點有關Louis的事。但問題是由Claudia鬼魂出現後的情節,來得太快,令我有點不明所以,而且覺得有點兒戲。
整本書最令我印象深刻的,是Louis與Lestat及Louis與Claudia的情節,這兩段都較為細膩,雖然是短短的篇幅,但仍是感人的。但相反,說及Louis與Merrick的情,太過粗糙,真的是一大敗筆。
這本書是我在整個系列已看的書中最差的一本,真的有點失望。
已看的書:
Interview with the Vampire
The Vampire Lestat
Queen of the Damned
The Tale of the Body Thief
Memnoch the Devil
Pandora
The Vampire Armand
Merrick
未看的書:
Vittorio the Vampire
Blood and Gold
The Blackwood Farm
Blood Canticle
最想看的是Blood and Gold,因為是說Marius的故事。最不想看的是Blood Canticle,因為是大結局,我不捨得看。
After these years, I am still addicted or devoted to The Vampire Chronicles written by Anne Rice. This series is just like the human blood to Anne’s Vampires, makes the ones irresistible. Even I have put the books down for several years, the magic is still there and holding my heart. Once reading the books again, the connection gets vivid and alive. I am quite shocked and surprised to get this feeling so strong again.
Louis, the one always winding in my mind, suffers in the labyrinthian hell. How can his beloved Claudia do such thing to him? Everytime when reading his story, I feel sad. I have this feeling for Lestat too but it is just not the same.
Feeling so glad that I have found the following introductions in Wikipedia. Feeling so glad that the world does not forget them.
Lestat de Lioncourt
Louis de Pointe du Lac
Claudia
In fact, there are much more introductions and websites about them. Each new websites when I come across, I feel excited and happy.
For this series, I like The Tale of the Body Thief most though I have not yet finished the whole series. Should have 4 more books to go.
Actually, my first domain is not ranmajen.net. My first one is thedarkheaven.com which is solely for The Vampire Chronicles. I know there has been no updates for a long time but I promise I will keep it alive. I am so glad that I have received an email for offering help of fixing the website after being hacked from one of the banner exchange members. I feel so warm by reading the email and this gives me strength and energy. Really thanks.
This night, the very night I want to state these feelings. Sorry for not being well-organized but simply I have been moved and touched by the Vampires again.
“September 21, 1859
It has been so many decades since Louis presented me with this little book in which I might record my private thoughts. I have not been successful, having made only a few entries, and whether these have been written for my benefit I am unsure.
Tonight, I confide with pen and paper because I know which direction my hatred will take me. And I fear for those who have aroused my wrath.
By those I mean, of course, my evil parents, my splendid fathers, those who have led me from a long forgotten mortality into this questionable state of timeless ‘bliss.’
To do away with Louis would be foolish, as he is without question the more malleable of the pair.
Louis will do as I wish, even unto the very destruction of Lestat, which I plan in every detail. Whereas Lestat would never cooperate with my designs upon Louis. So there my loyalty lies, under the guise of love even in my own heart.
What mysteries we are, human, vampire, monster, mortal, that we can love and hate simultaneously, and that emotions of all sorts might not parade for what they are not. I look at Louis and I despise him totally for the making of me, and yet I do love him. But then I love Lestat every bit as well.
Perhaps in the court of my heart, I hold Louis far more accountable for my present state than ever I could blame my impulsive and simple Lestat. The fact is, one must die for this or the pain in me will never be scaled off, and immortality is but a monstrous measurement of what I shall suffer till the world revolves to its ultimate end. One must die so that the other will become ever more dependent upon me, ever more completely my slave. I would travel the world afterwards; I would have my way; I cannot endure either one of them unless that one becomes my servant in thought, word, and deed.
Such a fate is simply unthinkable with Lestat’s ungovernable and irascible character. Such a fate seems made for my melancholy Louis, though the destroying of Lestat will open new passages for Louis into the labyrinthian Hell in which I already wander with every new thought that comes in my mind.
When I shall strike and how, I know not, only that it gives me supreme delight to watch Lestat in his unguarded gaiety, knowing that I shall humiliate him utterly in destroying him, and in so doing bring down the lofty useless conscience of my Louis, so that his soul, if not his body, is the same size at last as my own.”
“Cover her face. Mine eyes dazzle. She died young.”
— Ferdinand, after looking at the dead body of his sister the Duchess. Act 4, Sc.2
The Duchess of Malfi is a macabre, tragic play, written by the English dramatist John Webster and first performed in 1614[1] at the Globe Theatre in London. Published for the first time in 1623, the play is loosely based on true events that occurred between about 1508 and 1513, recounted in William Painter’s The Palace of Pleasure (1567). The Duchess was Giovanna d’Aragona, whose father, Arrigo d’Aragona, Marquis of Gerace, was an illegitimate son of Ferdinand I of Naples. Her husbands were Alfonso Piccolomini, Duke of Amalfi, and (as in the play) Antonio Bologna.
The play begins as a love story, with a Duchess who marries beneath her class, and ends as a nightmarish tragedy as her two brothers exact their revenge, destroying themselves in the process.
The play is sometimes ridiculed by modern critics for the excessive violence and horror in its later scenes.[2] Nevertheless, the complexity of some of its characters, particularly Bosola and the Duchess, and Webster’s poetic language, give it a continuing interest, and it is still performed in the 21st century.
今晚無無聊聊凌晨兩點多還不願去睡,為的就是不捨今天的感覺、不捨母校、不捨拍照時複雜的心情、不捨昔日的片段、不捨與老師及同學相聚時的溫馨感覺。
當然我是會去睡的,因為這些一切一切已在我腦海中,也趁感覺仍新仍深刻的時候,趕緊記下來,這就是我寫心情事記及這網頁存在的原因。
晚安。